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Sketches of thought
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ISBN: 0262071630 0262519755 0262273985 0585020493 9780262273985 9780585020495 9780262071635 Year: 1995 Publisher: Cambridge, Mass. MIT Press

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Abstract

Much of the cognitive lies beyond articulate, discursive thought, beyond the reach of current computational notions. In Sketches of Thought, Vinod Goel argues that the cognitive computational conception of the world requires our thought processes to be precise, rigid, discrete, and unambiguous; yet there are dense, ambiguous, and amorphous symbol systems, like sketching, painting, and poetry, found in the arts and much of everyday discourse that have an important, non-trivial place in cognition. Goel maintains that while on occasion our thoughts do conform to the current computational theory of mind, they often are - indeed must be - vague, fluid, ambiguous, and amorphous. He argues that if cognitive science takes the classical computational story seriously, it must deny or ignore these processes, or at least relegate them to the realm of the nonmental. Along the way, Goel makes a number of significant and controversial interim points. He shows that there is a principled distinction between design and nondesign problems, that there are standard stages in the solution of design problems, that these stages correlate with the use of different types of external symbol systems, that these symbol systems are usefully individuated in Nelson Goodman's syntactic and semantic terms, and that different cognitive processes are facilitated by different types of symbol systems.

Emblematic flag devices of the English civil wars, 1642-1660
Authors: ---
ISBN: 080205739X 9786612039584 128203958X 1442681179 9781442681170 9780802057396 Year: 1995 Publisher: Toronto, Ont. Buffalo, N.Y. University of Toronto Press

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Interest in creating emblematic devices, fashionable during the sixteenth and early seventeenth centuries, did not disappear in England with the demise of the tournament and the Stuart masque. Alan R. Young examines the hundreds of emblematic devices used by the warring parties on their military flags during and immediatley after, the English Civil Wars. To be fully understood, these emblematic devices must be 'read' as part of the massive propaganda war waged by the different factions. This collection throws light on the nature of the conflicts that led to the civil wars, based on the views set forth in the emblems and mottoes designed by the men who risked their lives in the cause of Parliament, king, covenant, or Irish Confederacy.Unlike earlier volumes in the Index Emblematicus series, which draw on printed emblem books as their sources, The English Emblem Tradition, Volume 3 brings together a corpus of material that was previously scattered widely among a number of surviving manuscripts. Wherever possible, carefully drawn illustrations of details of the flags have been reproduced from the original manuscripts. The flags are listed in alphabetical order by motto ( the mottoes are translated from the original Latin, French, Spanish, and other languages). A series of concordances, indexes, and lists makes the volume extremely accessible. Because of the unusual nature of the source material, a lengthy introductory essay is provided to explain the indexing of the text.

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